Directing the Documentary is the definitive book on the documentary form, that will allow you to master the craft of documentary filmmaking. Focusing on the hands-on work needed to make your concept a reality, it covers the documentary filmmaking process from top to bottom, providing in-depth lessons on every aspect of preproduction, production, and postproduction. The book inc...(展开全部)

Directing the Documentary is a comprehensive manual that has inspired over 100,000 readers worldwide. If you are interested in making documentary films, everything you need technically and conceptually is here. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing the Documentary covers the metho...(展开全部)

Directing the Documentary, Sixth Edition is the definitive book on the form, offering time-tested principles to help you master the craft. Ideal for documentary courses as well as aspiring and established documentary filmmakers, this book has it all, with in-depth lessons and insider perspectives on every aspect of preproduction, production, and postproduction. Focusing on the ...(展开全部)

A new edition of Stella Bruzzi's introduction to contemporary non-fiction film. The author addresses key issues within documentary film-making, such as performance, gender, authorship and narrative, and discusses the work of leading film-makers, including Michael Moore, Nick Broomfield and Errol Morris.

作者：比尔·尼科尔斯（Bill Nichols） 美国旧金山州立大学荣休教授，被广泛认为是当代西方最具影响力的纪录片理论家。他的相关著述，如《表现现实》（Representing Reality，1991）等，极大地影响了当代西方纪录片理论的历史进程。 译者：王迟 英国林肯大学博士、美国俄亥俄大学硕士、中国传媒大学硕士，研究方向为纪录片理论，曾长期任教于中国传媒大学。在《电影艺术》《当代电影》《世界电影》《21世纪》（香港）等期刊发表论文多篇，出版著作（The Act of Documenting: Documentary Film in the 21st Century, 2017），出版译著《纪录片：历史与理论》（2015），主编“纪录与方法”丛书第一辑《纪实之后：纪录片创作新趋向》（2017）、第二辑《直接电影：反思与批判》（2017）。

This new edition of Bill Nichols's bestselling text provides an up-to-date introduction to the most important issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the distinguishing qualities of documentary and teaches the viewer how to read documentary...(展开全部)

游惠貞 紐約大學電影碩士，任影展策展工作十數年，翻譯、編撰多本電影專書，二○○六年起任亞洲紀錄片連線基金委員，遴選年度亞洲紀錄片補助案，並?與相關活動規劃，二○一一年起主持「華文出版與影視媒合平台」。 AND亞洲紀錄片連線 亞洲紀錄片連線(Asian Network of Documentary），簡稱AND，是釜山國際電影節亞洲電影基金(Asian Cinema Fund)的一部分，由洪孝叔負責，日本的藤岡朝子、中國的張獻民、泰國的查莉妲?烏布倫吉及台灣的游惠貞共同擔任委員，每年年中開放亞洲紀錄片拍片計畫申請補助，獲得補助者即受邀到釜山電影節領取補助、參加相關活動、與亞洲同業串聯。本書是AND規劃的第一本亞洲紀錄片專書，二○一二年底推出英文版及韓文版，二○一四年推出中文版。 更多關於AND的細節，可上網查詢www.biff.kr 之Asian Ci...(展开全部)

The New Chinese Documentary Film Movement is a groundbreaking project unveiling recent documentary film work that has transformed visual culture in China, and brought new immediacy along with a broader base of participation to Chinese media. As a foundational text, this volume provides a much-needed introduction to the topic of Chinese documentary film, the signature mode of co...(展开全部)

This is the second major revision of a book universally acclaimed as the definitive history of the documentary film. The final section has been completely rewritten and expanded to take into account the major films and trends of the past nine years. Particular attention has been paid to the growth of documentary film-making in the Soviet Union since Glasnost and the correspondi...(展开全部)

In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globa...(展开全部)